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Consider the Ambivert

      When I was a child, people were divided into two groups: extroverts and introverts. Introverts were thought to have something wrong with them: we were assumed to be timid, insecure creatures afraid of the light, and it was a given that we all secretly wished to be extroverts.  To turn inward, to keep one’s own watchful counsel, was somehow to let down the social team. Of course, we weren’t team players in the first place, and the only light we avoided was the spotlight.  Sunlight and moonlight–especially moonlight–were just fine with us. Routinely rebuked for insufficient vivacity, sub-level enthusiasm, and being an all-around pill, I would like awake nights plotting the overthrow of the extrovert majority, whose self-esteem, whose very existence depended entirely on us–the watchers, the listeners, the audience, however unwilling.

     Happily, rebuked children now abed don’t have to admit to either category.  According to Wikipedia, a third has arisen: the Ambivert.  The ambivert is not a free-ranging pervert but rather something in between an introvert and an extrovert. Wikipedia asks us to imagine a questionnaire consisting of ten statements with which five people–John, Maria, Marcus, Sarah, and David–must either agree or disagree:

 

John

Maria

Marcus

Sarah

David

I am the life of the party.

Agree

Agree

Agree

Disagree

Disagree

I enjoy being the center of attention.

Agree

Disagree

Agree

Disagree

Disagree

I am skilled in handling social situations.

Agree

Agree

Agree

Disagree

Disagree

I like to be where the action is.

Agree

Agree

Disagree

Agree

Disagree

I make new friends easily.

Agree

Agree

Disagree

Agree

Disagree

I am quiet around strangers.

Disagree

Disagree

Agree

Disagree

Agree

I don’t like to draw attention to myself.

Disagree

Agree

Agree

Agree

Agree

I don’t like to party on the weekends.

Disagree

Disagree

Agree

Agree

Agree

I like to work independently.

Disagree

Agree

Disagree

Agree

Agree

I often enjoy spending time by myself.

Disagree

Disagree

Disagree

Agree

Agree

Score

100% Extravert

70% Extravert

50% Extravert
50% Introvert
(Ambivert)

70% Introvert

100% Introvert

     John and Maria are extroverts. Sarah and David are introverts. (This is according to Wikipedia. I contend that no true introvert, such as David, would agree to agree or disagree with any of these statements, or any statements in general.  It’s none of your damn business.) Marcus is an ambivert.

     He yearns for the spotlight, and why not? Marcus is a whiz at social situations–in truth, he’s the life of any party, just as long as it’s not held on a Friday or Saturday night. Weeknight affairs might attract more people than you’d expect.  Of course, there’d be the usual extroverts, so afraid to be alone that they’ll go anywhere, even some lame Tuesday potluck thing larded with introverts like Sarah and David.  John, a 100% career blowhard, may begin to wonder who the hell this Marcus guy is and why he keeps popping up at odd hours to vie for the center of attention, but he probably won’t notice that Marcus never shows up on weekends, since he’s too busy back-slapping, bloviating, and charging about with the twenty-first century equivalent of a lampshade on his head.  I don’t know what the equivalent is, because I’m an introvert.

     Still there’s more to Marcus than meets the eye.  For instance, he hates to be “where the action is.”  Assuming that the action is apt to manifest on weekends, this might explain why he avoids them, but I’m not sure that’s all there is to it. Marcus may secretly covet the action–to dream of it, in fact–but wherever the action is, there’s John, a legion of Johns, amped up on action, action-happy, pontificating and clowning around and generally filling Marcus with a vicious loathing for humanity.  To compete with John for the action’s hub, no matter how gorgeous the action is, is to admit defeat on some deep level.  Or maybe, like me, Marcus isn’t sure what “action” actually means.

     Another thing: while Marcus enjoys being in the spotlight (so long as “action” is absent), he refuses to draw it to himself, presumably relying upon introverts to do the dirty work for him.  One of the many things the chart doesn’t make clear is how he goes about doing this, since he’s (1) rotten at making friends, and (2) purposely enigmatic in the company of strangers.  Possibilities:

  • Bribery.  Marcus pays Sarah and David to hang around with him in an approving way.  This is unlikely, though: it’s more of a John move.  John wouldn’t see anything wrong with it. And a true introvert such as David couldn’t be bought off.
  • The recognition of kindred spirits. Introverts sense that for all his low-wattage charm, he’s really one of them. They gaze at him benignly and encourage his wit with restrained, honest laughter. The extroverts just can’t figure him out, and as they pass by on their way to the Next Big Thing, they pause to study him. Who the hell is this guy?

     The unhappiest of the bunch, it turns out, because, just like John, he can’t stand himself, and unlike John, he admits it. Without an audience he falls apart.  He can’t even work effectively unless he’s surrounded by other people. His weekends must be hell.

Guter kummer!

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Interview with KUCI “Writers on Writing”

If you go to this website:

http://writersonwriting.blogspot.com/

and click on Download Audio for the interview with Amy McKinnon and me, you’ll here the interview that took place a couple of weeks ago. “Writers on Writing” is an excellent regular program, on which many great writers–Tobias Wolff, for example–have been interviewed at length. There’s a regular podcast to which you can subscribe for free. If you’re interested, check out their schedule:

http://www.kuci.org/schedule.shtml

The interviewers are sharp: they’ve actually read the books and they ask great questions.

Machine translation arguably improving

Here’s a Google translation of this introductory passage from Winner:

Lightning sought our mother out, when she was a young girl in Brown County, Indiana.  Licked her body up and down, so she said, with a long scratchy cat tongue.  She smelled the ozone, which she described as indescribable.  “Not a smell at all, really, but a new and horrible sensation of the nose.”  We used to beg her to elaborate.  She said it didn’t smell like animal, vegetable, or mineral, or anything else in the world.  Then how did you know? we asked.  “It had,” she tried again, “a tactile pungency.  Every hair on my body stood out straight and vibrated.  I wanted to drop flat on the ground but I couldn’t move.  It licked me like a big cat!  Girls, I was an idea in the mind of a charged cloud!”

 

Then the lightning dismissed her, and demolished a dying elm across the street.  “You always look so disappointed,” she’d tell us, when she came to the end of the story.  “You wouldn’t be here, you know, if it hadn’t let me go.”  But both of us truly were a little sorry she wasn’t struck.  It reflected badly on our mother, that she was tasted and found wanting.  Fate had jilted her. 

“Where would we be?” Abigail always asked, and Mother would answer, variously, In Heaven, In deep space, Nowhere, Who knows?,  A twinkle in your father’s eye.  When I was twelve, one of the last times we talked about it, I said, “Maybe we’d be an idea in the mind of a charged cloud.”  Mother was terribly pleased.

 

When our mother was petite—in Brown County, Indiana—the lightning had hunted.  She had washed the body from top to bottom, in his words, like a large cat râpeuse language. Our mother had felt the smell of ozone, which it described as indescribable.  “No smell at all, in fact, but rather a new olfactory sensation, feeling terrible.” Imploring We always develop. She explained that it was neither animal nor vegetable nor mineral nor anything known on earth.  So how could you know? ask us. “This smell it and took it, had a hand in both ac and tactile. All the hairs of my body were prepared and shuddered.  I wanted to drop flat on the floor, but I was unable to make the slightest gesture. Lightning licked me like a big cat! Girls, I was an idea in the head in a cloud charged with electricity!”

 

And then the lightning had washed it and eventually destroy an elm half dead on the other side of the street.  “You always look so disappointed,” it is sad when arriving at the end of history. “You know, you would not be here if it had not turned away from me.” But it was indeed true that we may regret a little every second it would not have been foudroyée. The fact of being excluded after being tasted seriously tarnishing the image of our mother. Fate was plated. “Where would we be?” Abigail always asked, to which mother responded, depending on the day: “In Heaven,” “In outer space,” “Nowhere,” “Who knows?”, “Light in the eye of your father.” One of the last time we discussed the topic—I was then twelve years—I said: “Perhaps we would gain insight into the mind of a cloud charged with electricity.” Suggestion that rather enormously mother.

 

 

http://translate.google.com/translate?prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Flaprovinciale.blogspot.com%2F2009%2F01%2Fnous-sommes-deux-soeurs-jumelles.html&sl=fr&tl=en&history_state0=&swap=1

 

 

Machine-Translated Jokes!

These, courtesy of Google Translation and http://hephaistos639.over-blog.com/article-26960987.html, are pretty fabulous, both when they work and when they don’t.  Please feel free to suggest additions, but be sure to include the original url.

 

- Un mec entre dans un bar : “bonjour, je voudrais un chwirzkitchuidrutec à la menthe” et le barman “Vous voulez un chwirzkitchuidrutec à quoi ?”

Automatic translation: - A man enters a bar: “Hello, I’d like a chwirzkitchuidrutec with mint” and the bartender “You want a chwirzkitchuidrutec what?”

 Qui a inventé la cédille ? Monsieur Groçon

 Who invented the cedilla?  Mr.  Groçon

 Pourquoi les éléphants sont gros, gris et frippés ? Parce que s’ils étaient petits, blancs et lisse, ça serrait de l’aspirine.

Why are elephants big, gray and frippés? Because they were small, white and smoth, it shook the aspirin.

 Pourquoi le schtroumpf à lunettes at-il été emprisonné pendant deux ans ? Parce qu’il a schtroumpfé.

 
Why smurf glasses he was imprisoned for two years Because it has schtroumpfé.

 ”Papa, papa, c’est vrai que j’ai une grande bouche?” “Mais non !! Prend ta pelle et mange ta soupe.”

“Dad, Dad, it’s true that I have a big mouth?”- “But no! Takes ta ta scoop and eat soup.”

 Qu’est ce qui traverse la foret la nuit et qui est transparent ? Un troupeau de vitre

What runs through the forest at night and that is transparent?  A flock of glass.

C’est l’histoire d’un homme qui rentre dans un café. Plouf !

- It is the story of a man who enters a café.     Plouf !

Online Writing Workshops Ready for Signup

If you are interested in taking an online fiction writing workshop with me, please click on the Fiction Workshops link to the right, and you’ll see how to sign up for either group or individual workshops.  My fees at this time are quite low, because we’re all trying to keep our heads above water financially.  In the future–assuming that we dig ourselves out of the present economic mess–these fees will go up significantly, except for those writers with whom I am already working. 

I’m offering individual, one-on-one workshops and also group workshops.   In order for a group workshop to run, I must have a minimum of four people per group.  I can run no more than two 4-to-6 member workshops per week, so if you’re interested in signing up, keep in mind that you may have to wait a month or so to begin. 

Right now, I’m not asking for samples of your work ahead of time.  These workshops are open to all, ranging from people with writing experience–and even publication experience–to people who have yet to write a piece of fiction.  In the future, I may divide group workshops into novice groups and more experienced groups, but at the moment I don’t think this is necessary. 

Please note that any comments you put on my website are always forwarded to my email inbox (some of you have expressed bewilderment about how to get in touch with me–that’s the easiest way to do it).  If you’d rather write directly–and if you want to talk about what I mean by “single submission” and “revisions,” and whether my workshops fit your needs, just write to me at jincyk@gmail.com, and I’ll get back to you.

A New Time-Wasting Game

is waiting for players.  Click on the link to the right entitled The Agony of the Feet.  If you don’t remember what “dactylic” means, look it up.

Coming Soon: Online Fiction Workshop from the Author of The Writing Class

I’m seriously thinking of starting up an online fiction workshop in January 2009.   Plans so far:

1.  Submissions will be fiction only–prose, not poetry.

2.  Submissions will include short stories, novel chapters, fragments of longer works.

3.  Right now, I’m not planning to screen for level of sophistication, experience, talent, etc.  Come one, come all.  This strategy has always worked quite well for me in in-person workshops.

4.  In the future, I may offer more real-time workshops, probably involving a chat room setup rather than one involving speech.  Writers are generally comfortable typing and reading; we’d just do this in a virtual room, during scheduled hours.

5.  When a virtual workshop gets underway, students will read and critique one another’s work, which is what happens in actual workshops.  I’ll moderate, and will, of course, be critiquing extensively also.

6.  Before I get a workshop going, though, I’ll deal with submissions personally, through emails; and even after I set up virtual workshops, I’ll continue offering this personal service, for writers who aren’t interested in workshops.

7. I’ll probably use PayPal, since this is apparently the easiest way to set up payment of fees.  I’ll charge so much per document, with a page limit, of course (probably 20 or so double-spaced per doc). 

8.  For workshops, I’ll probably charge per Workshop (where the writer commits to, say, a six-week period, and can submit a maximum of, say, 10 documents during that period) instead of per document.

9.  I have no idea right now what the charge will be, but it will be reasonable, given that we’re all now officially broke. 

10. Perhaps later this month I’ll ask for a guinea pig or two or three: a couple of souls willing to submit work (original, of course).  Drawbacks: You’ll be helping me iron out the kinks in the system; I won’t know what I’m doing, re the workshop software, etc., and I need to practice.  Advantages: When it comes to critiquing fiction, I do know what I’m doing, and for these guinea pigs, I’ll be doing it for free.  Offer ends when the Workshop business gets underway.

11.  Any suggestions welcome.  Has anyone actually taken an online workshop?  Do my ideas seem sound?  Let me know.

 

ATTENTION: GUINEA PIG WORKSHOP IS NOW FULL (12/27/2008).  We should get underway in a week or so. If everything works out, I plan to begin offering for-pay workshops (both group and individual) in late January or early February 2009.

Unintriguing Headlines

Here’s a new list.  These must be substantiated.

 

Bullies May Get Kick Out of Seeing Others in Pain

http://www.msnbc.msn.com/id/27592980/

Portuguese sausage sighted in North County

http://www.nctimes.com/articles/2008/08/20/food/groch/z8756df8b2ffbd441882574ab0001abe5.txt

 

 

 

The Onion Does It Again

Just as theirs was the most appropriate response to 9/11,

http://www.theonion.com/content/node/38673

–they wrote the best 11/4 story:

http://www.theonion.com/content/news/kobe_bryant_scores_25_in_holy_shit